It get misty around here, but welcome.
All rights to the estate of Phil Ochs, and the noble man who posted this Bitter End film on his Youtube channel.
It get misty around here, but welcome.
All rights to the estate of Phil Ochs, and the noble man who posted this Bitter End film on his Youtube channel.
Originally posted on The Grey Area:
Dec 3, 2013
Over the Thanksgiving weekend, Washington Post columnist Dana Milbank penned a column titled “Save America: Restore the Draft”. Conscription, in Milbank’s view, is a panacea that would cure all of America’s ills, from social and class divisions to misuse of the military to overly adventurous foreign policy.
Several years ago, I wrote a long Washington Monthly article with Paul Glastris calling for a draft just like Milbank. But for a variety of reasons, I now agree with my WOTR colleagues Bob Goldich, John Thorne, and others that the draft is a bad idea, and would do more harm than good to U.S. society. Here’s why:
1. We don’t need the manpower. No, really, we don’t. We, currently have 2.4 million men and women…
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See also this NBC News piece on the issue, and the incredible work now being done by survivors.
Originally posted on My Duty to Speak:
August of 2007 at the age of 18 Carri Leigh Goodwin of Ohio enlisted in the United States Marine Corps to make her father, Gary Noling, a former Marine proud. During her time in the Marine Corps Carri reported a rape. Instead of being supported and having her allegations being taken seriously she felt that the Marine Corps did not do enough to help her. Similar to what many survivors reported, the blame of the rape was put on the survivor instead of the perpetrator. She was bullied by her command for reporting a rape and was eventually forced out of the Marine Corps for reasons of Personality Disorder. According to an external investigation the alleged rapist was accused of another rape in 2006 at Camp Pendleton but was able to continue serving. The alleged rapist…
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I don’t know about you, but I found this as surprising as it is heartening.
In accepting the Sam Adams Integrity Award from a task force of intelligence experts, Chelsea Manning issues what feels like her first political statement — a comment on the White House’s refusal to provide information about on the drone war.
In her statement, Manning quotes a judge who recently ruled that the administration had no obligation to do so:”The judge also wrote candidly about her frustration with her sense that the request ‘implicate[d] serious issues about the limits on the power of the Executive Branch under the Constitution and laws of the United States,’and that the Presidential ‘Administration ha[d] engaged in public discussion of the legality of targeted killing, even of fAmerican] citizens, but in cryptic and imprecise ways.’ In other words, it wasn’t that she didn’t think that the public didn’t have a right to know-it was that she didn’t feel that she had the “legal” authority to compel disclosure.”
Given the MONTHS of haggling over classification in Manning’s own trial, Manning then speaks with authority as she adds: “This case, like too many others, presents a critical problem that can also be seen in several recent cases, including my court-martial. For instance, I was accused by the Executive branch, and particularly the Department of Defense, of aiding the enemy-a treasonable offense covered under Article lll of the Constitution. Granted, I received due process. I received charges, was arraigned before a military judge for trial, and eventually acquitted. But, the al-Aulaqi case raises a fundamental question: did the American government, and particularly the same President and Department, have the power to unilaterally determine my guilt of such an offense, and execute me at the will of the pilot of an Unmanned Aerial Vehicle?“
I’m intrigued beyond measure that her lawyer (still fighting for clemency) approved this statement, and curious as to how she sees her role evolving as a public dissenter. Of course, the award itself gives her hints, given the honor roll of its recent recipients
The annual Sam Adams Award has been given in previous years to truth tellers Coleen Rowley of the FBI; Katharine Gun of British Intelligence; Sibel Edmonds of the FBI; Craig Murray, former UK ambassador to Uzbekistan; Sam Provance, former US Army Sgt; Maj. Frank Grevil of Danish Army Intelligence; Larry Wilkerson, Col., US Army (ret.), former chief of staff to Colin Powell at State; Julian Assange, of WikiLeaks: Thomas Drake, of NSA; Jesselyn Radack, formerly of Dept. of Justice and now National Security Director of Government Accountability Project; Thomas Fingar, former Deputy Director of National Intelligence and Director, National Intelligence Council, and Edward Snowden, former contractor for the National Security Agency.
Speaking of Edward Snowden, the NSA whistleblower congratulated Manning on the award this week, noting Manning’s “extraordinary act” and that Manning’s bravery (and his treatment) helped forge his own blockbuster revelations.
I’d love to see a conference convened where they share their perspectives, and add to its roster so many of my book’s figures — from Camilo Mejia to Jeff Sharlet (editor of VIETNAM GI though represented by his brilliant nephew) to Ray McGovern, who I met during Manning’s trial and provided the link to the speech. I’d be honored just to witness it.
I’ve long since added Jill Lepore to my list of people younger than I who fruitlessly I want to be when grow up. (Others include legal star Kimberle Crenshaw and my J-school classmate Jina Moore.) So it made sense when I learned, preparing to write this, that she’s one of ours – a ROTC dropout like Bayard Rustin, a 1980s Reagan-resister like Jeff Sharlet, a Warrior Writer. She only went to college, she told an interviewer in 2005, because “I won an ROTC scholarship:
I really liked ROTC, actually, except I wasn’t sure I wanted to be in the military. Loved boot camp; hated SDI, the Strategic Defense Initiative. So, freshman year, there I was, in ROTC, playing sports, failing all my classes, when I got a letter in the mail. Or, well, my mother got it, and she forwarded it to me. It was from me.
In high school, I had an English teacher who was that once-in-a-lifetime teacher who shapes everything that ever happens to you. He had given us an assignment to write a letter to ourselves five years in the future, or four years into the future, whatever it was. And he was not going to read it. We had to give him money for stamps, adjusted, I thought somewhat suspiciously, for inflation. I mean, good for him, but he charged us like fifty cents. Anyway, we addressed the letters to our parents’ houses. I had completely forgotten about that letter because—did I mention?—I have a terrible memory.
Turns out, it was a very scary letter. It said, more or less, ‘What the hell are you doing?’ and it went on like that, scolding, berating: ‘If you’re not actually doing what you’re supposed to be doing, quit everything and figure out your life for God’s sake. Get on with it!’ Apparently, I was a very difficult fourteen-year-old, but not altogether lacking in foresight. It was as if I had known that I would still be the jock who was reading in the dark. So I quit. I quit ROTC. I quit sports. I had been a math major; I switched to English.
This didn’t make me ‘become a historian.’ But later, when I thought about what I did want to do, I remembered that letter, that time capsule, and I wondered what it would be like to read old letters all day, other people’s letters, to listen to the past, and I knew I wanted to do that.
Like many, I discovered Lepore through her brilliant historical-context pieces for The New Yorker, one of which led me to her lovely Book of Ages: The Life and Opinions of Jane Franklin. On my way there, I did note that she named herself a fellow member of the I’m-Only-Happy-When-it-Rains Club, or what my friend Joshua Phillips calls “The House of Slytherin.” She describes why she took so long to be truly interested in Ben Franklin’s semi-literate sister: at Harvard in the late 1980s, “I was sick of attics, sick of blighted girlhood….I wanted to study war. I wanted to investigate atrocity. I wanted to write about politics.” So her first books were about documenting the atrocity-born “New World,” about 18-century New York City set afire by abolitionism and untrammeled commerce. She’d already read all the work of William Apess, the main figure of my second chapter , and in 2005 published a book answering in depth my questions about Apess’ final work, “In Defense of King Philip.”
In 1836, Apess was writing about Metacom, the Wampanoug warrior who led perhaps the last serious effort by those indigenous to “New England” against the colonists there in the 1670s. His essay is one of thousands of documents Lepore illuminates in The Name of War: King Philip’s War and the Origins of American Identity, Lepore’s exploration of both the facts behind those early wars and the way ‘Philip”s defeat has been memorialized by waves of writers after. Including, as we learn from the image at left, Paul Revere, who 100 years after Philip’s defeat took up his image a s a herald of resistance to the British. Lepore does so with her signature clarity, giving generous voice to Philip’s numerous chroniclers, including Revere, Apess, and the thoroughly unpleasant Increase Mather, who saw Indians as savages from hell and the war against them holy. More important, she lifts beautifully the scraps and fragments that help us understand a little of that earlier world, strewing details that startle: how long Philip’s severed head loomed over Kennett Square, or how many natives of Massachusetts and Connecticut were sold by the Puritans into slavery in the Caribbean. It all goes down like an insomniac bedtime story, with endnotes nearly as mesmerizing as the text. I actually read The Name of War a few months after the equally absorbing Jane Franklin book, in which those scraps and fragments are of seemingly humbler stuff — but the second book is as much about power, memory,identity as the other. And as much about violence, if you count the sort of semi-voluntary servitude that as 13 successive pregnancies and the multiple child deaths that followed. The difference, in some ways, is that Jane Franklin did write her own story, in a language we can read and greatly helped by a writer who persuades us that her story is no less a biography of America.
Note: I know it’s been awhile since I posted here: reasons too boring. But it made sense to share today’s Veterans Day op-ed — which focuses on a theme that ties together s0 much of why I wanted to write this book in the first place.
Air Force analyst Heather Lea Linebaugh never deployed, but she still saw combat, as a participant in the newest layer called “drone warfare.” “I have nightmares to this day of women I have seen killed, children I have seen lost in vain, fathers who will never return to their families, and soldiers who will never say goodbye to their families,” Linebaugh wrote this past June, not long after I saw her speak at Fort Meade, Maryland. I contacted her almost immediately thereafter; she was voicing an ache I’d rarely heard articulated so well in years of working with and writing about soldiers and vets.
I knew, therefore, that Linebaugh would be my first Veterans Day voice this year.
Close by would be that of Rev. Rita Nakashima Brock (left), described in a New York Times profile as “tending the spiritual wounds of warriors, seeking theological answers to the condition among veterans called ‘moral injury.’”
Daughter of a World War II veteran and Vietnam War medic, Brock helped create the Soul Repair Center to go beyond the clinical in approaching these questions. Now based at Brite Divinity School in Fort Worth, Texas, the Center has attracted Iraq vets like Michael Yandell, 28, who worked on a bomb disposal team is now a seminarian at Brock’s school, telling the Times “It’s not that you lose your ability to tell right from wrong, but things don’t seem so clear anymore. For me, it’s whether or not what I did, did any good.” Yandell, like Linebaugh, is among the new generation refusing to call combat trauma a mental illness.
Moral injury, writes former Army surgeon general Elspeth Ritchie, is “an important concept to help understand the experiences of our service members.” The term was first coined by psychiatrist and MacArthur Award-winning “genius” Jonathan Shay, in his iconic Odysseus in America: “Betrayal of ‘what’s right’ in a high stakes situation by someone who holds power.” Shay knew from his decades of work with Vietnam vets that “the consequences for those still on active duty range from a loss of motivation and enjoyment, resulting in attrition from the service at the next available moment, to passive obstructionism, goldbricking, and petty theft, to outright desertion . . . sabotage, fragging, or treason. In a war, the consequences are catastrophic.” And afterward, he wrote two years ago in Daedalus, that betrayal puts land mines in a soldier’s heart: “The body codes moral injury as physical attack and reacts with the same massive mobilization” in response.
Amid the current epidemic of suicides among veterans (at last count, 22 per day), the Veterans Administration has started to notice the injury. The VA’s Shira Maguen distinguished it from the more-familiar-sounding Post Traumatic Stress Disorder: “There is no threshold for establishing the presence of moral injury,” she wrote. “Rather, at a given point in time, a Veteran may have none, or have mild to extreme manifestations. Furthermore, transgression is not necessary for a PTSD diagnosis nor does PTSD sufficiently capture moral injury, or the shame, guilt, and self-handicapping behaviors that often accompany moral injury.” Those words and Shay’s definitions of the term even made it into this terrific NPR graphic essay, and vets are being able to raise these issues with people around them.
Most essentially,the new generation challenges us to look at our own moral injury in these wars. “Moral injuries are not about benefits or blame. They’re not about treatment or medications. They’re not about disability. They are about our society and our moral values,” writes Tyler Boudreau, author of Packing Inferno: the Unmaking of a Marine in the Massachusetts Review. “A moral injury is not inherently the same thing as a war crime, though clearly the two ideas overlap. But when we talk about war crimes, we seek justice; when we talk about moral injuries, we seek a deeper understanding of our humanity.” Like Heather Linebaugh, Boudreau is less interested in his own trauma than in its implications in our war-besotted nation.
Other new vets are making common cause with veterans overseas, reaching out to Combatants for Peace in Israel, which works to end the occupation of the West Bank along with Breaking the Silence, which has posted nearly 1,000 testimonials on what they saw when serving there. All of these newer groups emphasize that it’s not about the vets own personal trauma, at least not exclusively. Avner Gvaryahu from Breaking the Silence, in a recent interview, used the Hebrew phrase yorim u’vochim, “shooting and crying,” to describe the limits of such testimonials for enacting change. “It’s easy to find people having regrets – saying ‘they forced us to be evil.’ The vast majority of soldiers will admit that,” he said. ”We are aware of the fact that many more testifiers suffered from moral injuries,” he added, “but we’re also aware of the fact that we are not victims but rather the victimizers.”
Thus, Gvaryahu’s Breaking the Silence “has a political goal: to create a constituency in Israel for ending the occupation of the West Bank. Tyler Boudreau founded founded the Iraq Veterans’ Refugee Aid Association (IVRAA), and in 2010 testified along with hundreds of other young vets at the Truth Commission on Conscience and War. And last month, Heather Linebaugh co-founded Front Lines International, an international media-based initiative which presents equally stories from both sides of the “front line.”
These days, Linebaugh is training to be a massage therapist, doing yoga and taking care of herself — which for her includes her work with Front Lines International. As she told Facebook in August, “[After] finishing my shifts at my normal job, I’m heading straight home to do work for my cause and [my] research for my mission to educate on peace and ending cultural misunderstanding and needless violence due to the War and Violence paradigms that exist in our time. This, at times, can be exhausting, but I am more alive, enlightened and in love with the world than ever before in my life. I will never stop.”
Chris Hedges doesn’t need me to re-blog him. But here’s my bit so that Tomas Young isn’t forgotten too soon.
Originally posted on LeakSource:
I flew to Kansas City last week to see Tomas Young. Young was paralyzed in Iraq in 2004. He is now receiving hospice care at his home. I knew him by reputation and the movie documentary “Body of War.” He was one of the first veterans to publicly oppose the war in Iraq. He fought as long and as hard as he could against the war that crippled him, until his physical deterioration caught up with him.
“I had been toying with the idea of suicide for a long time because I had become helpless,” he told me in his small house on the Kansas City outskirts where he intends to die. “I couldn’t dress myself. People have to help me with the most rudimentary of things. I decided I did not want to go through life like that anymore. The pain, the frustration. …”
He stopped abruptly and…
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I was excited to see Paula Span’s piece today in the Times, “No End to Trauma for Some Older Veterans.” She follows one 80-something vet in his struggles and notes that seeking help wasn’t popular in his war: “The prevailing medical advice — even for someone like Mr. Perna, who had fought in North Africa, Italy and France, who had been wounded and spent six months in a German P.O.W. camp — amounted to “put it all behind you.”
And as much as that may be true, I did feel she left out an important element, as well as the role played by one of the ‘stars’ of ‘my’ World War II chapter.
I said so in a comment I made on the Times website. Below is the one I first wrote, which takes a stab at explaining why the truth has been so long suppressed.
The piece is wonderfully thoughtful, and tells me tons I didn’t know. Thank you – and thanks to Mr. Pena, who agreed to go on the record.
I do wish you’d been able to slip in a reference to the John Huston film ‘Let There Be Light.’ In 1945, the Army sent Huston to Mason General Hospital in Brentwood, Long Island, to film a veterans’ psychiatric unit at there. (One of its long-term inhabitants was Dr. Jacob Ochs ( a veteran of the Battle of the Bulge), long before his son Philip sang “I ain’t marching anymore!”) The film is a little hokey by today’s standards, earnest young men learning to call their illnesses “psycho-neurotic anxiety disorders” while assured by doctors that “we’re conducting an education campaign” to erase the stigma. Instead, just as with San Pietro, the Pentagon moved quickly to suppress Let There Be Light. “They wanted to maintain the ‘warrior’ myth, which said that our American soldiers went to war and came back all the stronger for the experience.”
The truth was probably in between, but after seeing the film the Army immediately suppressed it from public viewing for 30-plus years.The Cold War was beginning, after all, so no call for admitting any kind of “weakness” in American men.
Interestingly, the film was just included as an “extra” in the DVD release of The Master, whose protagonist is a traumatized WWII vet.
Thanks again for this piece. I hope it gets some families to seek help.
I watched the film when I was just starting out on this book, before learning that Phil Ochs’ dad had been a patient there. I look forward to seeing it again,and posted the whole thing here in case you don’t want to spring for the Blu-Ray.